In the works of artist Chun Hyuk-Lim, Korean traditional objects are harmoniously and freely mingled in various Western abstraction styles. Reminding us of Kandinsky and Mondrian’s abstraction, he pioneered the beauty of distinguished Korean abstraction through the principles of formation, such as symmetry, balance, and rhythm, based on the traditional patterns, colors, and techniques of Korean folklore painting. In addition, the reason why he was called Picasso of Korea was that he built his own unique abstract painting with Korean lyricism by Cubism montage technique that simultaneously captured the views in various directions on one screen. This is not just a Korean version of Western art, but an exclusive ‘Appropriation’ of Chun Hyuk-Lim ‘s abstraction, breaking down the hierarchy between Western and Korean art.